Christ as performance

This essay will explore Hans Urs von Balthasar’s Christology as performance from below. It begin by introducing theodramatic project presented in his five-volume work Theo-drama. Here, it be shown how Balthasar engages with and uses the conceptual resources of drama theatre to develop a theological dramatic theory Christ at its very centre. followed an investigation into what he saw re-performance Christ-drama on world stage. The then conclude few brief remarks continued relevance Christology, especially for those interested doing – performing theology